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Mortal Engines
A mysterious young lady named Hester Shaw (Hera Hilmar) emerges as the only person who can stop London, which has evolved into a massive, predatory city on wheels, from consuming everything in its path hundreds of years after civilization was wiped out by a catastrophic event. Hester teams up with Tom Natsworthy (Robert Sheehan), a London outcast, and Anna Fang (Jihae), a dangerous criminal with a bounty on her head because she is wild and driven by the memory of her mother.
The shocking new epic adventure Mortal Engines is helmed by Oscar®-winning visual effects artist Christian Rivers (King Kong). Peter Jackson, Fran Walsh, and Philippa Boyens, the screenplay's authors and three-time Academy Award® winners for The Hobbit and The Lord of the Rings trilogies, will be working together Rivers. A Weta Digital team lead by Ken McGaugh, Kevin Smith, Luke Millar, and Dennis Yoo produces visual effects. The popular book series by Philip Reeve, which Scholastic published in 2001, served as the inspiration for the Universal and MRC adaptation.
Along with Walsh and Jackson, producers include Zane Weiner (The Hobbit trilogy), Amanda Walker (The Hobbit trilogy), and Deborah Forte (Goosebumps). Boyens is joined as executive producer by Ken Kamins (The Hobbit trilogy). The film will be released internationally by Universal.
How was this very awful movie made? I have an idea. Co-producers Peter Jackson and Fran Walsh, who once had the ability to assemble a film that was interesting, well-organized, entertaining, and even genuinely stunning, looked at a bag of cash that Universal and various other sources of funding had left on their table and wondered, "Can we whiff as badly as the Wachowskis did with 'Jupiter Ascending,' only leaving out the fun pansexual campy parts?" The answer is yes, without a doubt!
Adapted from a sorta-I-guess-must-have-been YA novel (it was published by Scholastic in the States, I see) by Phillip Reeve, "Mortal Engines" was co-written by Jackson and Walsh (you may remember their "Heavenly Creatures" and a few Tolkien adaptations) and frequent collaborator Philippa Boyens. It starts off with the standard voiceover explaining how "that Ancients" destroyed Earth'
Visually, this means that entire or at least portions of world cities are now movable and move around on enormous tank treads. It is not mentioned how this engineering achievement was completed. Anyway, a much smaller "Romanian mining town" is being attacked by London, which we still mainly consider to be genteel, in an effort to grab its salt. Hester Shaw (Hera Hilmar), a young woman on that town, is seeking retribution on Thaddeus Valentine, a power engineer (or something), for the murder of her mother.Tom Natsworthy (Robert Sheehan), a young historian from London who is originally a fan of Thaddeus, is amassing a collection of "the Ancients'" weapons (the Ancients, in case you're missing it, were us) in order to destroy everything and stop studying violence. To discover love and adventure with the feisty, reclusive Hester, Tom must, however, descend London's rubbish chute after he gets too close to her secret. In addition to other things, this action gives Thaddeus access to the arsenal, which will help him create a Brand New Superweapon.
Hester doesn't have a lot to be coy about, to be honest. When she was a young orphan, a member of "The Lazarus Brigade," a group of powerful undead robots who always get their way, adopted her. She touched Shrike, her adoptee, by promising that she would allow him to make her into a comparable robot (since it sounds like such a wonderful bargain, right?). Shrike was performed by Stephen Lang with a heavy CGI overlay. Shrike went apeshit, or whatever the equivalent of apeshit is for super-powered undead robots, as a result of Hester breaking her word in order to exact revenge on Thaddeus.Thaddeus releases the obstinate and destructive Shrike from a floating jail and sets out to fulfil Hester's pledge in an effort to keep her at bay. It's amazing that Hester's numerous new pals even keep her around considering how much he ruins in his wake, but they're glad that they do since, surprise!, she has the key to disabling Thaddeus' super weapon. The tale is really jam-packed with unexpected plot twists like that.
Even if brought into the scene differently, Shrike, meant as a sad reminder of What It Is To Be Human, is a poor notion terribly executed. Said story's numerous components are introduced so carelessly they can't but but evoke titters. Lang has undoubtedly been cooling his heels in Australia waiting for the "Avatar" sequels to begin filming for so long that he's grown impatient, but I wish he had found a more productive way to kill time. This movie is laughably portentous and kitschy, even by the lower standards of kids' entertainment, and it only gets worse as the Dalai Lama lookalike leader of the Asian territory Thaddeus intends to bulldoze and the heavy-handed introduction of the ethnically diverse rebel flyer team are introduced.
However, you must admit that it looks fantastic. Actually, no. The whole aesthetic, which was directed by Christian Rivers, a seasoned art director for Jackson, begs the question, "Are you sick of Steampunk yet?" and, for me, the answer is yes. Never mind that Terry Gilliam's "The Crimson Permanent Assurance" was never meant to be taken as seriously as the movie's entire premise suggests. On their Way to Love, Hester and Tom had to go across almost enormous tread tracks, which I found to be amusing.
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